In Lloyd, Kentucky, on U.S. 23, there’s a sign on the Country Music Highway dedicated to renowned fiddler Jason Carter. It was placed there because of his other accomplishments—the Grammy awards, the worldwide tours, and the many other accolades he’s earned through his music. But for Carter, joining the legendary names honored on that stretch of highway just might mean the most. “There’s a certain sound that’s up there that you just don’t hear anywhere else,” he says. “I think that played a big part in how I sound today.”
True to those Kentucky roots, Carter continues to pour all he has back into bluegrass. For thirty years, he has been the fiddle player for the Del McCoury Band—the most awarded group in bluegrass history. He’s won three Grammy awards, including 2018’s “Best Bluegrass Album” with the Travelin’ McCourys, of which he is a founding member. And he’s taken home five IBMAs for “Fiddle Player of the Year,” a staggering number that isn’t quite so crazy once you realize just how many bluegrass greats have turned to Carter for collaboration.
As a fiddler, Carter has been featured on albums by Steve Earle, Ricky Skaggs, Dierks Bentley, Charlie Daniels, Vince Gill, Asleep at the Wheel,
and many more, all in addition to his tireless touring and recording with Del as well as the Travelin’ McCourys. On Carter’s forthcoming solo album,
Lowdown Hoedown, listeners may recognize instrumental contributions from such legends as Jerry Douglas or Sam Bush alongside vocals from young trailblazers like Sarah Jarosz or Billy Strings. This time, though, Carter is singing lead.
The album’s namesake track, a good-time duet with longtime friend Dierks Bentley, plays on Carter’s dexterity on the fiddle with an flashy solo—while also showcasing his charisma as a frontman and vocalist. “Good Things Happen,” a Jamie Hartford number with vocal harmonies from Aoife O’Donovan, marks the kind of tender moment fit for a first dance or sweet serenade. But Lowdown Hoedown has its somber side, too. “Dust Bowl Dream,” a wistful narrative about a depression-era farmer, builds on its slow pace and vivid lyrical imagery with powerful harmonies from Sarah Jarosz and twin fiddles from Carter and fellow IBMA-winning fiddle player Bronwyn Keith-Hynes. The John Hartford tune “Six O’Clock Train” marks a slower, more ominous moment, calling in vocal harmonies and guitar from Billy Strings.
Venue and ticketing information:
We are family friendly, but shows are 21+ unless accompanied by a guardian.
For this show you have the option of purchasing a table or a general admission ticket.
When purchasing a table you are purchasing the number of tickets that the tables seats. For example if you purchase a 4-top table you are purchasing 4 tickets
General admission tickets gain you access to the rear of the venue, behind the seated sections as well as the backyard. There are tables outside and limited seating in the indoor general admission area. For more heavily attended shows the indoor general admission area is standing room only.
There is a garage door behind the stage that remains open in good weather so that you can enjoy the show from inside or outside. Our general rule is if the temperature will remain above 50 degrees for the duration of the show the door will remain open.
For more information visit our FAQ page or reach out to us directly.
